A Chronicle of NaNoWriMo 2014 – Days 2 & 3

There IS a rational explanation for all this.

There IS a rational explanation for all this (concept art from Mortal Kombat)

This year I’m attempting to write a novel in 22 days. For posterity, to record my trauma, and for your amusement, this is the diary of Days 2 and 3.


NaNoWriMo 2014 – DAY 2 (20 days to go)

Today’s target: 500 words

7.20am – I get ready for work. Everything feels heavy, like I actually ran a marathon yesterday. Partner offers no sympathy. I’m crushed, until I remember that partner is still recovering from the surgery two weeks ago (appendectomy). Oh, and that I forgot about our 9 year anniversary yesterday.

I guess I can cut them some slack. A little.

8:25-9.15am – I daydream about monsters in the car. According to the chapter plan I drew up in a hurry (the day before I started, because I’m just super prepared that way) there will be fantastical monsters coming my way very soon. Hmm… what will they look like? How many legs will I give them? What’s realistic if I’m putting them underground?

A black Honda cuts in front of me and then slows down immediately. Cursing, I slam on the brakes. That’s it, my monsters have black blood and are obnoxious assholes.

The Honda drives off, oblivious to my soon-to-be-immortalised revenge.

9.15am-6.00pm – Work (let’s skip the boring bits, shall we?)

7.30pm – Feeling smugly good, I sit down to my 500 words at the dining table.

7.34pm – … ok, I’ll be honest. I write 100 words or so and then hop onto Facebook.

7.37pm – I discover the existence of awesome people who write 4,000 words a day. My ego slowly deflates like a balloon. While I’m a puddle of latex and inferiority, I discover the existence of superhumans with halos shining out of every orifice fingertip who have managed to write the whole 50,000 words in 24 hours.

7.38pmDeep breaths, Lee. It’s OK. Be an adult. You’re just starting out, you’ve never even finished NaNoWriMo, you’re doing really well!

7.39pm – My partner asks me why I’m crying.

7.40pm – I take deep breaths successfully. I am an adult. I read the blogs and find out that 50,000 words in 24 hours is broken down to roughly 30 words a minute. I can do that. And if I do that, my 5,000 word sprints should take me about 3 hours. That’s brilliant. I take notes for the next day.

8.15pm – I promptly get lazy. It’s just 500 words, after all. Not like 50,000 in 24 hours. I’m so relaxed that I don’t even care when my partner wanders into the room, holding a DVD.

“Do you mind if I watch Edge of Tomorrow?”

“No worries,” I say breezily. “I’ll just ignore it.”

8.28pm – Tom Cruise dies on screen. I write the rest of my words on autopilot. I shut my laptop. And then, like a mind-controlled zombie sucked in by the power of plot, I get up and join my partner on the couch, riveted.

10.30pmWow. That was… that was really good. I actually enjoyed that.  Let’s watch ALL of the special features.

10.54pm – We watch the editing process for the movie with our jaws hanging. The script was literally written on set, during shoots. Each actor played a collaborative part in creating their own characters. Each scene worked and re-w0rked as they figured out where the story was going.

12.03am – I lie in bed, so inspired I think I might burst. Bring on tomorrow.


NaNoWriMo 2014 – Day 3 (19 days to go)

Today’s target – 5,000 words

7.50am – I open my eyes lazily, and check to see if I’m still feeling inspiredIt’s not quite the blazing internal star of awesome it was yesterday, but it’s still there. Buoyed, I wake up slowly and reward myself with breakfast, before ambling to my desk.

9.20am –  I commit a cardinal sin of NaNoWrimo and go back over what I wrote, as the 4k-a-day-lady suggested. I tweak and add another 500 words. Excellent.

10.11am – Still feeling pleasantly delusional, I finish editing and get started on Chapter 3. I set my timer for 10 minutes and try the minimum-of-30-words-a-minute thing. It seems to work. For inspiration, I play the following in the background.

11.40am – I hit 1,700 words. Just over one-third of the way there. Elated, I take a break and snack. I consider writing an ode to melted cheese on toast after November 2. It’s way more deserving than some random urn.

1.30pm - I write steadily. I hit 2,500 words. Then 3,000. Things are going well. I’ve already done this once before, after all. I’m beginning to hope I’ll finish this tidily and be able to enjoy my day off…

That is, of course, when the worst writer’s block I’ve ever felt chokeslams me across my keyboard.

2.15pmI’m at Chapter 4 already, and they haven’t even made it to the main plot area. Hrnnghhhh.

3.10pm – Every word is horrific. I try word sprints. I try inspirational articles. Nothing.

3.43pm - I take a break and go on Twitter. A spambot helpfully tweets to me: We see that you do not currently have a job, Lee! We can find you a job! I block and report the account’s ass so fast that my keyboard smokes. I stare at the screen for a few seconds afterward, still not quite believing that my life has  become an existential black comedy.

4.07pm – My brain attempts to tender a resignation. I angrily decline. To remind myself that whatever drivel I’m producing is (maybe) not as bad as it seems, I pull out the big guns (content warning: monster erotica).

5.00pm – I hit 4,463 words. One of my characters starts talking like a modern day English stereotype.

He’s a guard captain in a setting inspired by the Ayyubid dynasty.

I can’t decide whether I should kill him, or myself.

5.30pm - I am literally 300 words away from completing. Why am I prolonging my misery by looking at Facebook?

5.45pm – Fadfjaidjf… 5003 words.

That’s it. I’m done. I quit. I have never felt greater, meaner satisfaction in closing Scrivener down mid-sentence. Off to nurse my wounds and the corpse of my literary dreams.

6.50pm – My partner comes home, obviously tired from a long day at work. This is our conversation.

“God, work was really long today. My stitches are aching. How did you go?”

“You know how I told you on Sunday that writing was like getting blood out of a stone?”

“… yes?”

<Fried brain attempts to come up with a metaphor> “Well today, it was like… stabbing myself. Repeatedly. In the chest. With a knife.”

<Partner stares at me, eyebrow raised. Anxious that my message isn’t getting through, I pretend to stab myself several times, complete with dramatic sound effects to convey my anguish.>

My only witness to my artistic grief walks past, completely ignoring me, to go eat dinner.


NEW SEGMENT – What I learned today.

I will be honest. I hate people who whine and mope around, and that is exactly what I did for the next three hours. It took me that long for me to remember that this is the first time I’ve attempted something on this scale, and that even though I fully intend to get to those 50,000 words, what’s more important is that along the way, I learn more about how to write novel-length stories, and how to get better at it.

So. On reflection, my writer’s block came about because I misjudged some scenes and bogged down the pacing. Instead of continuing to write furiously in the hope that that will magic itself away, I’m going to try what the amazing team on The Edge of Tomorrow did and workshop as I go, playing with different points of view and recasting scenes and characters. Fingers crossed, it will work.

Or at least, not suck as much.

Hopefully.

Honestly, this process is feeling more and more like kicking myself until I freefall off a cliff.

See? There IS a rational explanation for this!

See? There IS a rational explanation for this!

… but I’m hoping it will be worth it. So thank you, dear reader, for bearing with me this far.  I’m going to go expire now, on 6,200+ words including this blog post. Until the next time!

A Chronicle of NaNoWriMo 2014 – Day 1

Found on wallpaper404.com

An artistic representation of NaNoWriMo (Found on wallpaper404.com)

So, as I explained in my post NaNoWriMo: Interval Style, this year I’m attempting to write a novel in 22 days, in ‘sprints’ of 5000 words a day and ‘rest days’ of only 500 words. The reason for this is because I’m travelling with family mid-November, and as much as I love getting into the swing with all the awesome people who write in November, I’d like to still have a family at the end of the year.

So, for posterity, to record my trauma, and for your amusement, this is the diary of the first day.

NaNoWriMo 2014 – DAY 1 (21 days to go)

7.15am – Alarm sounds like a dying Dalek. I try to grope for it while still lying down with my eyes closed, and end up pushing it off the nightstand and under the bed instead. Fuck.

7.20am – Make coffee like a zombie. Pass my beloved partner, still deep in the gentle embrace of sweet, sweet, sleep.

7.23am – Sit down at desk armed with coffee and a drink bottle. Turn my laptop on. Look at my outline. Hmm, yes. Right. Conflict. Yes. So I’m starting off with a fight scene… oh shit. What does my hero even use to fight?

7.45am – I reluctantly close my 8 tabs of Wikipedia, Reddit, and TVtropes.org. I take a moment to congratulate myself for my self control and excellent research skills. My hero is totally going to use a staff. Maybe with a knife on top. Oooh, Hook Swords… no. Switch screens back to Scrivener. Turn my timer on. Go.

8.15amWow, half an hour already. How am I going… wait, what? 350 words? @#$@^!$. At this rate, it’ll take me over 7 hours to hit 5,000. Better speed up.

8.45amHngghhhhhh… what? 700 words? I thought I sped up! Crap, there’s no way I’ll hit 2,500 before I need to head out. No. Positive thoughts, Lee, positive thoughts… only 49,300 words left…

9.05amUngnghhhh… gah… 1005 words! Damn it, that’ll do.

9.10am – Immediately open Facebook and complain about the writing pain I inflicted on myself. Go downstairs and complain again to sleepy partner and in-laws. Eat breakfast. Explain to in-laws what NaNoWriMo is and why I’m doing it early (so they don’t disown me when we travel in November). They nod kindly, bemused.

9.20am – Go back upstairs to check Facebook. Holy shit, so many answers already! Damn, I love the NaNoWriMo group. Buoyed, I close the laptop and reluctantly take partner and in-laws shopping as promised.

12.58pmHmm, that took longer than I thought. Better keep writing. But first, lunch. And Facebook. Yeah.

1.15pmOk. This is it. I need 1,500 for this session. Go!

1.45pmHmm. Staff is cool. But no.

2.25pmHey, TVtropes seem really keen on polearms. And they’re pretty realistic for the setting too.

2.26pm – Hey, that glaive on Google Images looks sweet! Right. She uses a glaive.

2.27pmFind: Staff. Replace All: Glaive. Hmm… no effect on word count. Maybe I should choose a weapon with two words? … nah, wasted enough time on Google. Better keep going.

3.30pmOoohhhhwawerjjkd… 2,523. Yes! Facebook! Internet!

4.10pmHmmm… getting pretty brain-dead. Maybe it’s time to refuel.

 4.15pm – Melted. Cheese. On. Toast. Goddamn brilliant.

4.30pmWish this blog post counted toward my word count.

4.34pm – Partner  breaches the inner sanctum to ask how I’m going. I grunt my word count back. Partner congratulates me on getting over halfway, then beats a hasty retreat. Mental note: remember to buy something nice for everyone after this is all over.

5.00pm – Three thousand, one hundred and two words. That’s how I’m writing numbers in Scrivener now. Note to self, switching perspectives to main character is actually easier going. That’s a good sign, right?

5.30pm – ‘Quick break’ on Facebook turns into ‘Half an hour on Facebook’. And I don’t even care, because I’m hanging out with the NaNoWriMo group and the conversation’s merged from me complaining about writing to an army of people coming out to defend me, wielding leaky pens and dictionary shields, and that’s just fucking brilliant and I love the world.

5.45pmI hate the world.

6.05pm3,500 words. Fuck this, I’m going to the gym.

6.55pm – I’m typing maniacally when I realise I have to get ready to go eat Sunday dinner with my family. Shit. 3,831 words.

7.30pm – I spend dinner telling everyone about NaNoWriMo and trying to convince my older brother, also a writer, to join NaNoWriMo on Facebook. In return, he tells me about this guy who’s telling everyone to write in 5 minute block and build on those blocks until you can  finish a book in 14 days. Hardcore. Will give more details once I check it out.

8.43pm – Pleasantly chatting with family over remnants of dinner when I remember that I still have around 1,200 words to write. And also that 9 years ago, my partner and I began our relationship on this exact day. And I have celebrated our 9 year anniversary by hiding away and writing and snapping at anyone who comes too close.

Oh.

Shit.

My brother and sister-in-law offer me some wine to take back as a last-minute gift. My pride is too great to accept.

8.46pm 30 seconds – I turn on the radio for the trip back. I’m not really listening until I hear this semi-bored woman singing ‘Get on top tonight and write it… giddyup, giddyup, giddyup, yeah. Write, write, WRITE!’*

8.46pm, 32 seconds – I realise she’s not singing ‘write’ but ‘ride’. I feel extremely disappointed. And also that I may have finally lost it.

9.01pm – As soon as I get in, I apologise to my partner. Profusely. And then tell them I still have 1,200 words to go and is it all right if we celebrate after? [/shameless].

9.02pm – Back in front of my desk, everything intact, extremely motivated to finish. And also, still in a relationship. I am so goddamn lucky.

9.23pm – Quick break to shower, then back to it.

9.59pm – 5,165 words. I haven’t quite finished the scene like I intended to, but fuck, at least I’ve gotten everything down. I switch back to this window, tidy things up a bit, and hit ‘Post’. Adding this post together with what I’ve written on my story today, I’ve clocked over 6,000 words. I feel extremely proud of myself for a moment, and then I remember that I have to do this again, 8 more times.

… #writing.

NaNoWriMo: Interval Style

Interval Training

So here’s the thing. I’ve attempted NaNoWriMo seriously twice in my life. Both times, I tried writing 2,000 words a day, in an attempt to both emulate Stephen King and get ahead. The first time, I failed around the 25,000 word mark. The second, I surrendered at around 10,000.

Now, for those of you who are staring at me and wondering why I’m speaking in gibberish, NaNoWriMo is short for National Novel Writing Month, which traditionally involves an army of writers coming together to encourage and rage at each other until they swear and curse and bleed out 50,000 words over the course of 30 days.

So after failing to reach that golden 50k mark twice, I was beginning to think that NaNoWriMo wasn’t for me. Or at least that I wasn’t for NaNoWriMo. And then something funny happened. I got into interval training.

Interval training is a pretty simple concept. Instead of chugging along at a steady pace like you’re running a marathon, you alternate between sprinting and resting. The theory is that by turning the dial up on your intensity levels, you make your body work harder and more efficiently. I love it. I have a shaky attention span at best, unless I’m buried headfirst in a book, so I love the challenge of it and pushing myself to the limit. There’s also something about stepping off the treadmill or hobbling off the bike after 15 minutes feeling wrecked and like an absolute badass.

So one afternoon when my legs had melted and I was wondering what exactly I had just done to myself, the thought hit me. Maybe I wasn’t cut out for doing NaNoWriMo the traditional way for the same reason I find it difficult to keep grinding on gym equipment for over half an hour at the same pace.

So this is what I’m going to do. I’m travelling from November the 13th with family, and I don’t want to subject them to me on NaNoWriMo (don’t say no to this drug, kids). So starting October 12, I’m going to be writing in sprint intervals of 5,000 words every few days and then dropping down 500 words to recuperate in between. It’s going to be horrific, but I’m going to do it. After all, as the indomitable Kristen Lamb recently wrote:

The trick to NaNo is to appreciate its PURPOSE. It’s to propel us out of the comfort zone and show us what we are truly capable of if we put our minds to something and refuse to give up. It’s training for the pace of professional author. Pros have a VERY different operational tempo.

We don’t play to win, we play for keeps.

So, I know there are plenty of people who do NaNoWriMo their own way. What are your thoughts?

3 Tips for Writing a Great Fight Scene

Inspired by Kristen Lamb’s hilarious post ‘Planning Travel? Five TSA-Approved Weapons of the Zombie Apocalypse’ (seriously, go check it out) and Piper Bayard’s review of the film The Equalizer, I thought I’d share my 3 tips for writing a great fight scene.

Still the best lightsaber fight

Still the best lightsaber fight.

A disclaimer: I’ve never been in a real fight myself (unless you count scraps in primary school), but I have trained in Tactical Krav Maga for over three years and counting. Since Tactical Krav Maga specialises in dropping you into scenarios so you can test what you’ve drilled in more realistic conditions, during that time I’ve been choked in the back of a van, had a knife pulled on me in a public toilet, and ‘died’ in a home invasion three times. Or had a variation of all three, all in the same damn training session.

With that in mind, here are my tips to writing a great fight scene.

1. Remember and apply the basic rule of writing

The rule that writing is about conflict is so well established that Wikipedia has an entire article dedicated to it. That’s why we all get excited about great fight scenes in books and movies, because great fight scenes are conflict incarnate.

So what sort of conflicts draw us in as readers? And can we apply that to fight scenes? Well, continuing on in the form of asking rhetorical questions, when was the last time you were on the edge of your seat reading about a big bully crushing a tiny kid? Or a mecha-robot sporting the latest weaponry versus a caveman with a stick? Or a team at the top of the league going after the one holding the wooden spoon? I’m going to go out on a limb and say never, because it’s a foregone conclusion. There’s no conflict when we know one side will definitely win, and even though all of us automatically want to root for the underdog, we also want the underdog to win on their own strengths.  When they’re in a fight that uneven, a deus ex machina will satisfy nobody.

So how do you get the best conflict for a great fight scene? When both sides are a close-ish match, so you don’t know who will win. Then escalate that. If they’re closely matched because one has friends or the environment favours another, mix it up. To get your readers even more invested, make it look like one is winning, and then throw in something catastrophic that leads to the other side gaining the upper hand, and then just as they’re about to win, have them slip on the rugged fire-spewing mountain… and so on and so forth. Done well, the constant escalation in anticipation and uncertainty will leave your reader hooked.

2. Try for some realism

I write fantasy and sci-fi, so I’m not going to tell you to put away your sorcery or your nuclear guns. But nothing pulls me faster out of immersion than a writer who clearly hasn’t done any research or put any thought into their fight scenes.

Here’s a rough paraphrase of nobody in particular:

Karl let the man back him into the corner before he dodged to the side and laughed. “You’ll have to do better than that, Jarface!” Before the big man could retort, Karl rolled out underneath his lumbering arms and lashed out with his sword, leaving a neat slice of blood in his wake. He continued dancing around the lug for a few minutes, until he began to tire.

Alright. Firstly, I want all of you to imagine you’re holding something around the length of your average longsword (90-110cm), perhaps a baseball bat. For historical accuracy, grip it two-handed. Now back yourself into a corner and pretend someone is looming over you like an archetypal bully. Feeling awkward, like you have no room to swing or thrust? It’s because you’re wielding a weapon that’s not really designed for fighting in close, cramped, quarters. So make sure your character uses a weapon appropriate to their fighting style and situation.

Secondly… don’t write your characters dodge rolling during a fight. Please.

Lastly, and I know I’m starting to sound like a grumpy old man but this really ticks me off and I see it everywhere: if you’re going for a gritty or at least realistic feel in your story, please don’t tell me that a fight goes on for more than a few minutes unless there’s a very, very good reason for it. Yes, I know we all enjoy movies where fight scenes can go for a good 5-10 minutes without stopping for breath, but those fight scenes would typically also leave everyone in the general vicinity dead or with broken spines and a lifetime of legal battles. If you’re writing about a fight in close quarters, then most real fights end in under a minute because you can do a lot of damage with even a single, unarmed hit. If you want to draw it out, then show your characters tiring, unless they’ve been in the military or have professionally trained for years. If you don’t believe your characters will tire after a minute, try punching the air as fast as you can for 60 seconds, and then reassess how long your concept of a minute is.

3. Make it more than a fight

In my opinion, this is still one of the best lightsaber battles ever filmed.

Still the best lightsaber fight

Here it is again to save you from scrolling up to the top, losing your place, and teaching your neighbours some new words.

Yes, I know that the prequels have brought us beautifully choreographed lightsaber battles with truly astonishing acts of athleticism and breathtaking CGI. And I know in comparison, this one looks a lot like two people whacking together broom handles. But at the end of the day, I still yawn during the former and am riveted during the latter. Why? Because I don’t really care about the cardboard characters and their obscure motivations in the prequels. But the final fight between Luke and Darth Vader is so much more than just a fight. There’s a lot of fear and uncertainty for one – yes, Luke has gotten much stronger but he’s still green against the experienced Darth Vader, and their last fight ended with him minus a hand. On top of that, Darth Vader is trying to turn him to the Dark Side and for a while, it really looks like he’s succeeding. On top of that, Luke really wants to avenge Obi-Wan Kenobi, and at the same time he’s wrestling with all his conflicting feelings about his father. Then Darth Vader invokes Leia, bringing all of Luke’s protective feelings rushing to the fore. There’s so much more going on than just two people fighting, and that means that viewers have so many more reasons to worry and get hopelessly drawn into the story.

In short, if you remember to:

  1.  Create and keep escalating the conflict;
  2. Keep things realistic enough within the rules of your world and story that your readers aren’t jarred out of the experience; and
  3. Make your fights about more than people hitting each other with things,

… then you’ll be on your way to writing a great fight scene.

 


TREASURE TROVE OF RELEVANT LINKS

If you’re looking for some more inspiration, there are a whole lot of fantastic articles out there on writing great fight scenes. I’ve included my pick below. Be sure to check them out and share your own tips!

How To Write Fight Scenes by Alan Baxter

Alan Baxter is a British-Australian author who writes dark fantasy, horror and sci-fi, and teaches kung-fu. He’s also published the short, handy e-book  Write the Fight Right in order to help authors write more effective fight scenes.

5 Ways to Write Intense Fight Scenes (Superhero and Fantasy) by Superhero Nation

Brian McKenzie writes comic books and dispenses valuable writing advice on his blog Superhero Nation.

Ten Tips for Writing Great Fight Scenes by Andrew Jack

Andrew Jack got his first rejection letter at the age of 4, that suggested he learn to read and write before resubmitting. He is a lifelong martial arts enthusiast, and is currently working on his first novel.

Writing Advice From Famous Authors Part 1

Honestly, whenever I read writing advice from a famous, successful author, I feel like this.

What is this magic?

What is this magic?

That said, I think some authors stand out in terms of how direct and immediately useful their advice is. So this series of posts about writing advice from famous authors is going to be my list of them, in no particular order.

The first author I want to talk about is Cassandra Clare (the pen name of Judith Rumelt). The New York Times bestselling author of The Mortal Instruments series, Clare has sold over 10 million books. While she cuts a controversial figure amongst many writers and readers, she has an excellent section on her website purely devoted to writing advice. I also really appreciate the unique structure of her advice. While I will certainly always turn to Stephen King’s famous On Writing when I want to sit down and feel like I’m absorbing greatness, or the fantastic Art of War for Writers by James Scott Bell when I want a quick hit for inspiration, Clare’s FAQ style advice is great for when I’m in the middle of a writing bog and want to get out quickly.

While the way it’s worded sounds like it’s catering towards people who are very new to their writing career (eg. But I still don’t understand how to write a novel?), taking a closer look at the content reveals some great resources, links, and honest advice. Clare is someone who recognises that while she has a method that works for her, it won’t work for everyone, so she’ll almost always link you to other opinions/perspectives.

Favourite quote (in response to the dreaded question: Help! I have writer’s block! What do I do?) Here’s Clare’s response:

I wish I could tell you. If there were an easy fix for writer’s block, no one would have it.

My sole real observation on the topic of block is that writer’s block isn’t a disease. It’s a symptom of the disease. There is something causing your writers block: you’ve gone down the wrong road in your plot, you haven’t learned how to outline, you’re trying to make yourself write something you don’t really want to write,  you’re depressed or stressed, etc. Figure out the cause and fix that and the symptom will probably go away. Now, I don’t know how useful that is. Probably not nearly as useful as this essay by Elizabeth Moon, which strikes me as one of the few useful things I’ve ever read on the topic.


 

So how about you? Who are your favourite authors for writing advice?

How to get serious about writing

Writing

Start here.

I can’t put my finger on exactly when I decided I wanted to be a writer. I imagine it must have been in those hazy years between 5 and 8, when I was devouring everything from The Lord of the Rings to The Hardy Brothers and Famous Five. But at some point it stopped becoming some mutable, fuzzy urge and became a statement inside my head. I wanted to be a writer. I wanted to write.

I started with poetry. I was in primary school, and we were assigned some writing task or other, and I ended up waxing eloquent about clouds for five verses. I’m sure I’d cringe if I could find it now, but at the time it was apparently enough to make my teacher raise his eyebrows and send me off for private lessons during recess to the school’s self-proclaimed poetry enthusiast. Her name was Mrs. Wintergarden, and I remember being initially upset that my 20 minutes of running around and playing with sand had been sacrificed for spending time with a somber middle-aged woman in her somber, cramped office. She leaned close to me when she spoke, and her breath smelled like coffee grounds that had been strangled, drowned, and left somewhere to die.

In short, I really didn’t like her until she introduced me to The Highwayman.

The Highwayman, illustrated by Charles Keeping

The Highwayman, illustrated by Charles Keeping

She read it aloud, and then passed me the book and made me read it aloud. I remember the illustrations as much as the words, the dark shadows in the Highwayman’s face and the glint in Bess’ eye as she plaited her hair. I remember the weight of the words in my mouth, and the way they rolled out and created gothic images of moonlight over the moor. I remember that that was when I began connecting the concept of being a writer with the idea of creating beautiful things with words.

After that experience, I wrote a few poems. I also bought exercise books and filled the margins with titles that I wanted to write, all of which were hideous rip-offs off Enid Blyton’s adventure series. Then I tried to tackle a sci-fi epic where children got sucked away across the universe after playing a game and enslaved by an evil, telepathic alien race. Of course, they mounted a heroic rebellion that saved Earth. I believed I called it ‘Dark Secret’. I was 9 years old.

I grew older. I tried a fantasy epic next, which I never finished. I rediscovered ‘Dark Secret’ on a floppy disc in my teenage years and deleted it so the world could never see my shame. I contracted depression from my friends and family and went through a year where I wrote nothing but angst-ridden, soul-destroying poetry. I eventually clawed my way out and started on short stories.

I got older still. I submitted short stories to competitions, got honourable mentions, and then nothing. I got annoyed, submitted again, and won a few local competitions. Finally, in the final year of secondary school, I outdid myself. I won a small, international competition between Australia, New Zealand and Hong Kong with an essay. I won an Australian award for student writers. I won first prize in a local competition for short stories. I was was given the school’s Writer’s award.

Then I stopped writing.

I had several reasons. Finishing school meant I had to concentrate on what everyone expected of me, which was to go to university and do a law degree (because you’re so good at English!). And I found I did enjoy law. Really. But the travails of law school and working a stressful part-time job to support myself meant less time for writing. And then I got into fanfiction after becoming engrossed  in a number of fandoms. And then even that dried up, and I found myself writing nothing.

Yes, every so often I read a book and got inspired and wrote 2,000 words a day for two weeks, but then I stopped. And the writing sat there on my hard-drive, quietly gathering cyber-dust.

Years passed.

I still knew that I wanted to write. I still knew that I wanted to be a writer. But there was a block. I’ll start my great novel, I told myself. I‘ll start it tomorrow. Or next month, after exams. Yeah, after exams.

NaNoWriMo 2013 Flyer

NaNoWriMo 2013 Flyer

I discovered NaNoWriMo, or National Novel Writing Month in November. I threw myself into it with enthusiasm, twice. The first time, I think I gave up after about 15,000 words. The second, 25,000. It wasn’t right. It wasn’t what I wanted. It wasn’t perfect.

I know now that that was one of my biggest stumbling blocks, amongst many others (such as not realising how to plot or structure, but I’ll get into that another time). I was so wrapped up in the persona of the successful writer who’d won a swathe of awards that I didn’t realise I’d simply gotten lucky that year. I grew disconsolate when I submitted to competitions and didn’t even place. Well, I thought. Perhaps I’m not that good after all. Perhaps I should just stop. Perhaps I should concentrate on this next semester. Yeah, next semester should be a little easier. I’ll finish my book before I graduate.

I started working more. I was lucky enough to get promoted and have a salesperson under me. She taught me so much it deserves a post of its own. Suffice to say, I saw how professionals walked into shop after shop and rejection after rejection and just kept going. The smile got a little strained sometimes, but it was still there.

I graduated without writing a book.

That’s when I started panicking. I’d been doing internships throughout my last year of study, hoping to get a job. I was lucky enough to land one. I had it all set, lined up, but I wasn’t a writer.

It hit me. With years of working up the corporate ladder ahead of me, I knew that any time I made for writing would have to be carved out of sleep and precious moments with family and friends. And I realised that I had two paths:

  1. Continue on as I was, dreaming of being a writer, always telling people I wanted to write, without actually engaging in any of the things professional writers do; or
  2. Get a grip and approach writing like I approached everything else I took seriously, like university or getting a job.

So here it is. You’ve read through 1,000 words waiting patiently for me to get to the point about how to get serious about writing. And after all the soul-searching and life experiences and all of your own reasons for wanting to put your thoughts on paper, it comes to this. Every day, you stand at a crossroads: are you a writer, or not?

Every. Damn. Day.

Every. Damn. Day.

Getting serious about writing is knowing that you will say ‘Yes’ to being a writer every day for the rest of your life. It’s about crossing the road from forever ‘wanting’ to be a writer and staying the kid who dreams of writing bestsellers to becoming the professional who writes through gritted teeth even when their muse is holidaying in the outer rings of Saturn. That professional may or may not become a bestselling writer. They may even struggle for years to get published. But they’ve got more of a chance of becoming a bestselling writer than the dreamer because they’re writing.

I’ve still got a long way to go to reach where I want to be. But I like to think that I’m closer now  than the kid clutching awards who dreamed of wanting to be a writer. And just by asking the question, by looking for an answer, you’re closer too.


 TREASURE TROVE OF RELEVANT LINKS

7 Habits of Serious Writers  (Aliventures)

Getting Serious about Writing (jmledwellwrites)

JM writes historical novels born of a love of Native American dolls, Little House on the Prairie Books, trips with her father to Revolutionary War battlefields, and a degree in Russian history and a fascination with Japan. Her writing is fuelled by travelling and her mascot and writing buddy Rory, a winsome Maltese puppy, who keeps her on her toes.

Get Serious About Writing – The Blog Series (Lisa Rivero)

Lisa Rivero is a freelance book indexer and the author of several books for readers of all ages, including the award-winning The Smart Teen’s Guide to Living with Intensity and the children’s historical novel Oscar’s Gift. She also works as an Adjunct Associate Professor at Milwaukee School of Engineering, where she has taught technical writing, humanities, speech, creativity thinking, and psychology.

Prologue

This book will forever sit on my desk.

Humans of New YorkFor those of you who haven’t heard of Humans of New York, it’s a bestselling, loved phenomenon that started with a guy in New York with a camera and a penchant for wringing people’s stories out of them. This guy, Brandon Stanton, takes pictures of regular, everyday people going about their lives and reveals what’s going on behind those faces.

I love Humans of New York for many reasons. One, the stories often make me laugh or pretend I’m cutting onions. Two, the stories confront me with lives and realities that are so different to mine that they force me to open my eyes and live a little differently.  Three, after reading enough heart-wrenching and soul-leaping stories next to the most innocuous of photos, it makes you look at everything and everyone like they’re a bit magical.

So why is this important? Firstly, because if I can capture even a dram of the above in my writing, I’ll be damn happy. Secondly, I think the lessons apply here too. Because here it is: you may have a look through this site, see nothing that floats your boat, and leave. That’s fine. It’s not you, it’s me. I know I’m not for everyone.

But if you’re interested in any of the following:

  • Reading for pleasure and (personal) profit
  • Epic fantasy and science fiction
  • Robots
  • Insights into writing structures and techniques
  • Cool links on writing resources, scientific developments, etc.
  • Magic
  • Thought-provoking short stories
  • Reviews of fantasy and science-fiction magazines
  • Speculative poetry
  • Meditations on amazing authors/books/works of art
  • Humorous diatribes about whatever’s pissing me off at the moment

… well then, I’d say we should settle down and get to know each other.