afterwords – Lee S. Hawke http://leeshawke.com Reader. Writer. Firelighter. Mon, 09 May 2016 11:31:59 +0000 en-US hourly 1 Dissolution: An Afterword http://leeshawke.com/dissolution-an-afterword/ http://leeshawke.com/dissolution-an-afterword/#respond Sat, 09 Apr 2016 08:17:47 +0000 http://leeshawke.com/?p=457 Read More]]> Banner - Dissolution Website

Dissolution started off as a nightmare. I was running, hard. I was so scared I thought I was going to choke. All I knew was that two men in suits were chasing me and that they were ruthless. And that they didn’t want me, not really. They were chasing a number. A body. An asset.

Now, my family is pretty much almost entirely in healthcare (I’m the black sheep. Baaaa). And I took enough biology and read enough history about World War II to know the absolutely horrifying things people have done to those they consider subhuman in the name of science. So I knew what the suits were going to do to me when they caught me. And I knew I was going to be alive for most of it.

The terror burned the idea into my brain, where it sat for years. It grew into a half-formed story, set in a dark, cyber-punkish world of mega-corporations. I wrote some scenes and then stopped. It was too big a story. Too terrible. I wasn’t ready.

Then two things happened.

corporate buildings in perspective

1. I studied Law

I still remember reluctantly enrolling in the compulsory Corporations Law subject for my law degree. As chance (and my lazy timetabling choices) would have it, a few months later I found myself sitting in a class taught by Dr. Eric Windholz.

All you need to know about Dr. Windholz is this: he is an excellent, searing lecturer and an independently fascinating man. He is also one of those rare beings who can entirely justify his cynicism because he’s been on both sides of the fight—as general counsel for Phillip Morris and as General Manager of Strategic Programs & Support at WorkSafe Victoria. And I will never forget the chill that ran through me when he looked each of us in the eye and told us that companies were alive: that they could marry, divorce, give birth . . . and die.

That wasn’t the last of his lessons. I’d grown up the way I think most of us have, on a scale ranging from a faint distrust of corporations to full-blown hatred. Resident Evil certainly did not help. But Dr. Windholz challenged that by the simple method of asking us what a company was.

After we all invariably gave the wrong answer, his sadism relented and he told us his definition: a group of people who had decided to get together formally to pursue a common goal. That was it.

bnr-corporate-citizenship-984x200

It made me realize something that should have been obvious to me, to everyone, but wasn’t: that companies aren’t inherently evil. They’re literally just a legal structure that people have used to protect themselves while they go after what they want—whether that’s mining for profits or setting up orphanages. And just that little shift in thinking is actually very empowering. Multinational corporations may seem like unstoppable behemoths if you’re looking at the legal structure. But if you blink and focus on the people smiling back from their corporate profiles, you realize that they’re just people. Probably Photoshopped people, but people nonetheless. And people can change their minds.

That’s not to say that corporate structures don’t have their own issues. Just like what happens when you get any group of people together, you risk problems such as groupthink and diffusion of responsibility. But arguably, those are issues rooted in human psychology. It’s just easier to blame branding and corporate logos than it is to take a hard look at ourselves.

. . . All right, that was probably more legal/psychological theory than you needed. Still with me? Awesome.

2. I Graduated

The second thing that happened was that I graduated into an oversaturated, highly competitive legal market. It was brutal. In the year that I applied for internships, all the major firms culled their staff. The interns that year were slaughtered. They’d worked their asses off and gone through a hideous selection process with the promise that one in three of them would get a job. When that number turned out to be a joke, well . . . hell hath no fury like a law student scorned.

As for my competition, picture one of those people who get blindingly high GPAs, already works part-time in the industry, wins competitions and still somehow finds the time to volunteer, while simultaneously being so goddamn nice that it’s impossible to hate them. Well, in my year, it wasn’t just that one guy or girl. It felt like I was surrounded by them.

corporate-people

So, like the neurotic, anxiety-ridden law student I was, I researched. I optimized my CV, gambled on my cover letters, and attended a lot of seminars. One of them was on the job application process, and it was taught by a scarily enthusiastic lady who had about three slides devoted to Personal Branding. For those of you who haven’t come across that ridiculously sales-y term, it’s exactly what it sounds like. It’s treating yourself as a product and trying to figure out how to “market” that to potential employers.

Needless to say, at one point in the seminar she paused dramatically and said, “You have to sell yourself.”

corporate

Dissolution was born of all of these things and more. So as you can see, I’ve got a lot of people to thank. Aside from Dr. Windholz, I have to thank the friends who stayed up with me until 2am eating shitty pancakes and helping me workshop the book title.

I have to thank everyone who read the book and gave me their honest feedback.

I have to thank my long-suffering partner for, well, everything.

I have to thank my readers, who took a chance on me (seriously, thank you).

And I have to thank the lady (sorry, I’ve forgotten your name) who took her job so damn seriously that she told us to sell ourselves.

You can read spoiler-free, honest reviews of Dissolution and get links to the Amazon store at The Literature Hub (review) (shop) and Jimbo’s Awesome SFF Reviews.

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Division: An Afterword http://leeshawke.com/division-an-afterword/ http://leeshawke.com/division-an-afterword/#respond Sun, 15 Nov 2015 11:06:15 +0000 http://leeshawke.com/?p=146 Read More]]> Afterword

I want to say that when I was young, I loved fairytales. But that would be a lie. Love is not the right word. I was obsessed with them. I enjoyed Disney well enough, but what I craved most was eating through Hans Christian Andersen and Aesop and then digging back even further to the older versions that haunted me.  In these stories, fathers sold their daughters to the devil and chopped their hands off when they refused to sleep with them. In these stories, evil queens danced in red hot shoes until they died. In these stories, mermaids walked on land as if knives were stabbing into their feet, and when they refused to kill the ones they loved they became seafoam.

So I think it’s fair to say that Division came from a childhood devouring dark fairytales, an adulthood discovering the joys of science fiction, and the dream, always, of making up stories and sharing them. But I didn’t want to just do Cinderella in space. Most if not all of the popular fairytales have been reimagined countless times in beautiful, haunting ways (I recommend Snow, Glass, Apples by Neil Gaiman and Deerskin by Robin Mckinley, just to name a few). What I wanted to do was recapture some of the patterns and questions and ambiguity within the darkness. Why is it that Baba Yaga, who literally eats children, is the one who gives Vasilisa the gift of life and fire? What does it say about the society she was born within that Little Red Riding Hood innocently eats her dead grandmother, gets in bed with the Wolf, and then a crow croaks “Slut” at her before she’s eaten alive? For that matter, how interesting is it that fairytales evolve over time, until the actual mothers are all sweetly and innocently dead and have been replaced by wicked stepmothers?

 

Hans Christian Andersen - Die Prinzessin und der Schweinehirt Illustriert von Heinrich Lefler-Wien,_1897 (Wikimedia Commons)

Hans Christian Andersen – Die Prinzessin und der Schweinehirt Illustriert von Heinrich Lefler-Wien,_1897 (Wikimedia Commons)

 

I have been asked why I called this book a collection of science fiction fairytales. This is why: I believe that when fairytales were first dreamed up over a fire and passed to each other from mouth to mouth, magic was the way that people made sense of the strange and sometimes cruel world around them. So magic was the challenge and the wonder they thrust their protagonists into, to see what they and their society were made of. And so fairytales became the way to pass down lessons and warnings they could whisper to their children and entertain the adults over cold nights.

But what about now? Well, if advanced technology is indistinguishable from magic, I think it’s clear. We live in a time where we are a click and an internet connection away from a pool of knowledge vaster than all of the ancient libraries combined. We live in a time shaped by the constant fear of the apocalypse: whether it be through climate change, global epidemics or through our own creation of artificial intelligence. As such, today’s fairytales must be shaped by the shadows of technology and the apocalypse and how we deal and react to them.

Here’s a closer look at how I tried to play this out in Division:

The Soldier is a nod to those many stories from around the world where a nameless, eponymous soldier or samurai character is drawn into a challenge that countless others have failed. Of course, instead of a curse or a glass tower, this time he’s up against three global epidemics.

Dissimilation can be read as a twist on Sleeping Beauty – the idea that someone wants to wake up from virtual reality when everyone is asleep, at least, was an image that reminded me of the Prince walking through the castle of bodies in repose, fighting off the urge to close his eyes before he reached his goal.

In a similar vein to Dissimilation, Please Connect draws upon the fairytale of love at first sight in a society nearly devoid of human contact. And lest you think nothing like this would ever happen, it was actually inspired by a Guardian article back in 2013 entitled “Why have young people in Japan stopped having sex?” Fascinating stuff.

The Grey Wall is probably the most explicitly fairytale-like in its structure. It uses the rule of three (it’s always three brothers, three sisters, three days or nights, three tasks, etc.) to slowly build the protagonist up to confronting the truth of his world. And because this is a dark fairytale and not a Disney movie, it doesn’t end well.

Perhaps unsurprisingly, Beauty examines some of the confusing tropes about beauty in fairytales: that beauty (and ugliness) can be deceiving, but true beauty is in the soul; and that beauty is something only the evil and jealous covet, but beauty is also (somehow) the marker of a truly good person. But I also wanted to use that conflict to bring hope to the terrible struggle of transgender communities in today’s world. I really hope that one day, we truly can meaningfully transcend a lot of social issues.

On the other end of the scale, Lemuria flat out frightens me. Instead of a famine forcing a woodcutter and his wife to abandon their children, it’s an alien invasion. And instead of a gingerbread house, the siblings must choose between an unknown, dangerous lifeline and a gruesome death (perhaps choosing between a witch and starvation would be preferable?)

Finally, Division draws upon the stories of grieving parents who are either mourning the lack of a child or the death of one, and who do interesting and sometimes terrible things with that grief. While nobody bargains away their child or adopts an inch-tall girl they find in a flower, both technology and humanity indelibly shape their journey through loss.

Of course, as my first published book, there are a lot of people to thank, including my amazing beta readers, my literary idols who inspired me to write, the NaNoWriMo Facebook group for their support and the soon-to-be Dr. Aaron Mitchell Brice, my friend and science advisor. And last but most definitely not the least: my family, friends, and readers. Thank you.

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